Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Daniel Orme
Duncan Receiving the Surrender of de Winter at the Battle of Camperdown

ID: 75764

Daniel Orme Duncan Receiving the Surrender of de Winter at the Battle of Camperdown
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Daniel Orme Duncan Receiving the Surrender of de Winter at the Battle of Camperdown


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Daniel Orme

British, 1766-1832  Related Paintings of Daniel Orme :. | The Risen Christ at Emmaus | The Ship of Fools | Little Children Should Love One Another | Ships riding quietly at anchor | Bowl with Sunflowers |
Related Artists:
Francesco del Cossa
Italian c1435-c1478 Francesco del Cossa Location Italian painter. He was a leading representative of the Ferrarese school and was regarded, with Ercole de Roberti, as the founder of the Bolognese school. His principal works include The Glorification of March, April, and May, frescoes in the Schifanoia Palace, Ferrara; some admirable portraits of the artist contemporaries; Madonna Enthroned (Bologna); Madonna and Child with Angels, St. Liberal, and St. Lucy (National Gall. of Art, Washington, D.C.); and an altarpiece representing scenes from the life of St. Vincent Ferrer (National Gall., London, and the Vatican).
BREGNO, Antonio
Italian Early Renaissance Sculptor and Architect, active ca.1425-1457
Rosa Bonheur
1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .






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